"Truth in Fiction." That phrase almost sounds like an oxymoron, doesn’t it? Perhaps
it will make things more clear if I explain what I mean by truth. I think we
all understand fiction—a literary work of creative imagination which does not
pose as real fact or actual reality, right? So what do I mean by truth? To me,
in terms of reading matter, truth is authenticity, honesty, at least a modicum
of reality and a general atmosphere of rightness or correctness.
Artistic license gives authors freedom to make wild flights
of fancy at times, especially when writing in the fantasy or futuristic/science
fiction genres. When we get into contemporary fiction, though, that leeway must
be curtailed in many ways. True, most of us know that “happily ever after” is
not the fate for many couples and the good guys certainly don’t always win.
Since most of us like happy endings that leave us with a warm feeling, we allow
writers that detour from truth. After that things get dicey!
For example, I stay away from writing Medieval historical tales because my study of history has erased all illusions about glamour and romance. Castles were dreary, drafty, dark and dismal. Hygiene and medicine were minimal and even the most aristocratic lived in worse case than all but the poorest of third world citizens today. I can still enjoy a well crafted story at times and will suspend disbelief to allow the heroine to bathe or perhaps assist the hero --to create some sexual tension--but I cannot write in that setting unless it truly is a fantasy.
I can only speak for myself but I’ve been a reader of
fiction for over sixty-five years and over those decades have probably at least
skimmed several thousand books. On occasion, I have found gross errors of fact
and ‘authenticity’ which are likely to make me fling a book across the room
although I normally treat any book with utmost respect.
A few examples: I reread a Zane Grey western not long ago
and came across a description of a huge herd of steers which had never seen a
human being! I jerked up my mental reins very hard. Say what? For those who may not be familiar
with cattle, steers are neutered male
bovines, ‘fixed’ if you will, like most of us do our pet dogs and cats and our male horses. Now how did this
operation occur to these creatures out in the wilderness? Heaven only knows! I didn’t pitch the book—it
was on the screen anyway--but I mentally boxed Mr. Grey’s ears and told him I
was sure he knew better!!
Even more recently, I picked up a Harlequin title by a well
known multi-published category author. On page one I came across the shocking
assertion that a small town in Texas was “adjacent to the Navajo reservation.”
I did toss that one, literally, right into the dustbin! I could not believe no
editor caught this or even that the eastern city dwelling author was so drastically
uninformed. I mean everybody has to
have read at least one Tony Hillerman or one of David and Ainee Thurlo’s Ella
Clah mysteries! In both and elsewhere, the Navajo Rez is very clearly depicted
as mainly in northeastern Arizona with a bit in northwestern New Mexico! Texas
has not one reservation, certainly not the largest one in the lower forty
eight! Yes, I did write a scathing note to the publisher and will probably
never pick up a book by that author or even in that line again. That was
egregious!
Years ago in a historical, I almost freaked out when I read
the heroine had traveled by train from Flagstaff, Arizona to Salt Lake City,
Utah. That would be possible but only
with an extremely round about journey
since even today no railroad track has ever been built across the Grand Canyon!
That minor barrier sits smack between those cities.
These are the types of things I am speaking of when I say
fiction must have truth. Besides various geographical, anatomical, known
historical and other matters of established fact, we also need a level of
authenticity in the behavior of the main characters and sometimes even the
secondary or lesser ones. We need to be able to trust that although our hero or
heroine may approach super-human powers, in other than a clear fantasy or
Marvel comic style tales there are still limits to what ‘real’ men and women
can do. We need to adhere fairly closely to established reality and ‘common
knowledge’ matters such as how various agencies, the military, and other
professions function. While we may be persuaded to suspend disbelief in many
minor and a few not-so-minor areas when the story is very compelling and these oddities
are somehow made to ‘feel’ right, when something totally violates our
intelligence, knowledge or ability to stretch belief, the author has failed!
I am sure in my novels and shorter works that I have made
some very gross errors. I try very hard not to but it is probably not possible
to avoid such things completely. Especially in my contemporary fiction, which
is the major part of what I write, I do research and work to achieve and
provide realism, authenticity and a trustworthy narrative. I see this as a very
key responsibility of an author. As I reader, I feel authors are obligated to
do this to the best of their ability; it is almost in the nature of a sacred
trust.